Book Launch at ‘Publics’ Helsinki

On March 3rd, 2020 Jurriaan will be at ‘Publics’ in Helsinki for a talk about his book ‘Salt in the Wound. Encountering Contemporary Artists across Europe.” It starts at 6 pm and the entrance is free. This evening he will discuss the work of Anish Kapoor, Miroslaw Balka, Paula Rego, Luc Tuymans, Sean Scully and Janis Avotins, all featured in the book. How is their respective work related to the place where they grew up and work, to its history and (cultural) landscape?

Visit website Publics

Nikos Aslanidis in Emsdetten, Germany

Nikos Aslanidis can hardly be called a pleaser. His paintings can look rather grim, leading us into dark ages, showing people in the battle of life. The question coming up while visiting his exhibition in Emsdetten is how much of our own era, and our own lives, is reflected in the paintings. The artist’s goal is to make timeless painting, and he is not worried about ‘being contemporary’ or introducing props that refer to current issues. Yet, the situations depicted aren’t that far from home. Timeless means here, that it also suits our time. In each painting there is a figure engaged in some kind of work or activity, as can be figured from titles like The Gardener, The Alchemist or The Hunter. The good news is that Aslanidis presents his vision always with an understanding of order, with nuance and also with beauty. As a painter he seems to find a task in making situations of life presentable and worth looking at with curiosity or wonder, no matter how uncomfortable or tense they are.

The Thessaloniki based artist has his first institutional solo exhibition in Germany, ‘Corpora’ at the Emsdettner Kunstverein up till 15 March 2020. Jurriaan Benschop will introduce the work of the artist at the opening on 2 February 2020.

‘Trees’ at Kunsthalle Düsseldorf

A visit to the exhibition ‘Trees’ with works by Carroll Dunham and Albert Oehlen made me think about the difference between motif and subject matter, or even ‘content,’ in painting. The fact that both artists paint trees was taken as the glue for this duo presentation in the Kunsthalle Düsseldorf. Yet, one should not get too philosophical (or ecological, or symbolical) about that. The tree here is a formal motif – a vehicle to construct a painting, and as far I can see it does not connect the painters in a deeper way. What I like mostly about the show are Oehlen’s large paintings where the shapes of a bare, winter tree counteracts with geometric color fields. At times the trees resemble human or animal figures in their dynamic shapes. The exhibition becomes interesting where trees stop to be just trees…

The exhibition is on view from 30 November 2019 till 1 March 2020 at Kunsthalle Düsseldorf

Lecture Rethink Painting at HBK Essen

On December 3rd, 2019, Jurriaan Benschop will be at the HBK Essen, Germany, for a talk in the series ‘Rethink Painting’, initiated by Nicola Stäglich and Sabine Bartelsheim. He will discuss the work of some contemporary painters, among them Kaido Ole, Bernard Frize, Bridget Riley, Janis Avotins, Béatrice Dreux and Paula Rego. Included will be reflections on the question How to write/speak about painting in the current era of stylistic pluralism? View details and announcement HBK here

Taking Root at KIT Düsseldorf

In a world full of conflicting interests and beliefs, how do artists root themselves? Where do they find their sense of direction? These questions underlie the exhibition Taking Root. The assumption is that the eleven artists presented here did find some roots. They have developed a clear and insistent focus in their practice, and that is what gives their work depth.

For a tree, life without roots is not possible. It needs a stronghold, right underneath, in order to grow and stay firm, to endure storm and thunder, and to maintain resilience. One can assume that similarly, human beings find some “nutrition” in the places where they grow up. Yet, those places are not the only ones where developing roots happens. Artists can pick their roots, collect them on their way through life, or search for them in places where they are not yet familiar. After all, humans are mobile beings. And for humans, roots are not just a matter of physical circumstances; they can reside in thoughts, memories, beliefs, and traditions.

Taking Root brings together the work of eleven artists. Some of these artists grew up close to nature; for others, the city has been their natural environment. Some of them are young artists, who in recent years have started their own studio practices. Others have been working for decades already, and have had more options to develop their roots. Together, the participants span two generations of contemporary artists. Most of them come from Europe, yet in terms of landscape and cultural climate, their backgrounds are diverse. One is from the USA, which is itself a country with roots in Europe. 

In times when God is declared dead, or has been hijacked by terrorists, when political leaders can be liars and fakes, the question is where to find understanding and beliefs, and additionally, where to find the confidence and context from which to act? The answer goes inside, into the imagination and reflection of the artists. And it leads into the traditions that have shaped them. These eleven artists have been selected for this show not necessarily because their work is about roots, or depicting it as a theme, but rather because their work has roots. The artists have been able to ground themselves in the present, and find a sense of direction through anchor points in nature, religion, art, or culture. They have developed an interest that brings their work into focus.

The artists in Taking Root do not usually find their artistic incentives in the daily news or in politics. Their knowledge is more indirect, coming from stones, stock photos, walks, landscapes, icons, paintings, plants, children – from all possible sources. There are many situations and observations that guide them. They do not preach or illustrate a particular belief. They make their work as artists, through searching and delving and developing their own discipline – that is enough of a statement. You can sense in their work that they know something.

Even though art is not necessarily sacred territory, it offers stretches of land where a different world is possible – not corrupted, and not adrift. It can offer an environment where you actually want to spend time, a place that is nurturing for the mind, body, and soul. The Kunst im Tunnel offers a good shelter, with solid walls, to create some distance to the physical and digital traffic around, to the hustle of city life, to the problems of our times. The generous tunnel space filled with the works of eleven contemporary artists allows a time out – and offers itself as a place to reconnect and take root.

KIT, Mannesmannufer 1, Düsseldorf, exhibition runs through 26 January 2020 and is open Tue-Sun 11 – 18 h

Salt in the Wound. Encountering Contemporary Artists across Europe

Salt in the Wound takes the reader on a journey through Europe, to meet with artist and talk about their work, their environment and artistic roots. Through studio visits, exhibition reviews and conversations, the author reflects on the imagination of leading European artists, and how it relates to both local histories and the global art practice.

The book contains essays on the work of Miroslaw Balka, Anton Henning, Flo Kasearu, Bernard Frize, Anish Kapoor, Michael Borremans, Sejla Kameric, Norbert Bisky, Monika Sosnowska, Luc Tuymans , Paula Rego, Klaas Kloosterboer, Bridget Riley, Marc Mulders , Sean Scully, as well as reports from Latvia, Bucharest and Venice.

Published by Garret Publications, Helsinki, 2019, 208 pages

Order the book online through Amazon (USA), through Walther König (Germany, Austria), through Abebooks (UK), through Suomalainen (Finland). Book sellers order through Ideabooks

Or find it in selected bookstores and museum shops around the world: Berlin (Uslar & Rai, Buchhandlung Montag, Bücherbogen), Bonn (Kunstmuseum), New York (Mcnally Jackson, Printed Matter), Columbus Ohio (Wexner Center for the Arts), Bloomington Indiana (Friends of the Arts Bookshop), Los Angeles (Hennessy + Ingalls), Helsinki (Nide), Vienna (Walther König), Amsterdam (Stedelijk Museum), Maastricht (Dominicanen), London (Tate Modern, Camden Arts Center) and others…